Singular Spaces was a collection of photographs by Jo Farb
Hernandez of homes in Spain modified by the artists inside, essentially an
intersection of art and life. What stuck out the most for me was that most of
the art created in this series was not created in a predetermined artistic
environment, such as a museum, or by conventional artists. Rather, they were
works that manifested from the creativity of those who did not necessarily have
artistic backgrounds or influences.
Vila during construction of tower |
My favorite works were those by Peter Buch and Joseph Pujiula
i Vila. The aesthetics of Buch’s work immediately commanded my attention
because of the colorful yet intricate tiles. I liked how at first glance his
sculptures were bold, but also very molded to the original shape of the
building. Likewise, Vila’s work was also very intricate. He utilized tree
branches to construct elegant yet elaborately complex towers and domes. I do
feel like the setup of this exhibit could’ve been better executed. The photos
lined the hallway around Fowler Museum, but because they directly opposed the
courtyard, there was often so much glare the details of the photos were lost.
Aside from the use of technology to capture these art
structures, most pieces were constructed by hand and there doesn’t exist a
direct relation between Singular Spaces and technology. However, I do believe
that many of the themes driving technologically influenced art are present in
this project. For example, the idea of singular spaces is described by the
exhibit as, “spaces… constantly evolving, and at the same time they are always
complete.” This parallels the idea of infinity, especially as observed in
Robert Gero’s work, in which the core structure remains constant, and its
modifications grow and shrink. I also think the lack of artistic training
manifests itself in this project in the same way as in biotech or robotics and
art. They use the creativity cultivated by their initial disciplines to
approach art from a different angle. While engineers and scientists have
thought to use their bodies and scans as canvases, the absence of conventional
artistic tools have led the fishermen and average villagers of Spain to use
their home as canvases.
"Singular
Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments |
Fowler Museum at UCLA." Singular Spaces: From the Eccentric to the
Extraordinary in Spanish Art Environments | Fowler Museum at UCLA. Web. 6 June
2015.
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